This is the first section that is narrated in a linear fashion. UP of Mississippi, Benjy also reports that his father smells like rain Faulkner 79and he even seems capable of smelling death.
At Harvard, he is enrolled in a psychology class, a course which concerns itself with the study of the mind. Quentin Compson is above all a thinking man. The work brings with it its own form; anything the wants to add is rejected, and what he himself would like to reject is thrust back at him.
Candace "Caddy" Compson — the second Compson child, strong-willed yet caring. She has seen through the false concept of honor and the superficiality of the entire so-called aristocratic world.
Benjy again when he comes into her room crying, and she first tries to comfort him with the smell of perfume. In her old age she has become an abusive hypochondriac. Jason is also associated with two extremes of feeling throughout the novel: This interweaving and nonlinear structure makes any true synopsis of the novel difficult, especially since the narrators are all unreliable in their own way, making their accounts not necessarily trustworthy at all times.
She becomes the complete realist, someone who simply cannot tolerate the hypocrisy and artificiality and false pride of the Compsons; therefore, she turns to unorthodox behavior in an attempt to assert her own independence and individuality. Jung and the Problem of Literary Evaluation.
Perhaps Faulkner was thinking of his novel The Sound and the Fury when he said this, as it is a book that takes the reader through the same story four times, from the perspective of four different characters — at which point readers just might, with luck and perseverance, have managed to piece together the narrative.
Divided into four sections, the history is narrated by three Compson brothers — Benjamin, Quentin, and Jason — followed by a section by an omniscient narrator.
He claimed this "tragedy of two lost women: It is not a question that Ross and Polk presume to answer easily; indeed, they acknowledge, it raises new questions: Through her we sense the consequences of the decadence and depravity in which the Compsons have lived for decades.
Today, one can scarcely browse through a special Faulkner issue of Mississippi Quarterly without finding at least one or two articles with a psychoanalytic bent. The use of these italics can be confusing, however, as time shifts are not always marked by the use of italics, and periods of different time in each section do not necessarily stay in italics for the duration of the flashback.
The second type of literary work is not the product of intention. Luster turns around to look at Benjy and sees Benjy holding his drooping flower.
Quentin is preparing to go to Harvard, and Mr.
She speaks as if it is just in her being to know. He attempts to claim false responsibility for the pregnancy, lying to his father that he and Caddy have committed incest.
We have no direct view of her — only the reports of Benjy, Quentin, and Jason. Quentin, the oldest child, is a sensitive bundle of neuroses.
Inthe Modern Library ranked The Sound and the Fury sixth on its list of the best English-language novels of the 20th century. Caddy is the only family member who shows any genuine love towards him.
Her acts are performed in an attempt to assert her own individuality against a mother and father who have essentially rejected her or have, in some way, failed her. It contains a page history of the Compson family from to In his soliloquy, Macbeth implies that life is but a shadow of the past and that a modern man, like himself, is inadequately equipped and unable to achieve anything near the greatness of the past.
Thus, these time shifts can often be jarring and confusing, and require particularly close reading. Jason began to cry. Kartiganer and Abadie published Faulkner and Psychology ina collection of Freudian, Lacanian, and feminist essays presented at the Faulkner and Yoknapatawpha Conference.
This idea is further emphasized with his bad investments on cotton, which becomes symbolic to the failing south. Caddy exhibits an intuitive attitude toward knowing in her interactions with each of her siblings, but most distinctively in her interactions with Benjy.
His narrative voice is characterized predominantly by its nonlinearity:In William Faulkner's The Sound and The Fury, Caddy Compson is the anchor character because Faulkner himself is so obsessed with her that he is unable bring her down off a platform enough to write words for her.
A Jungian Analysis of The Sound and the Fury: Faulkner and the Four Functions Edna Brown, St. Louis, Missouri. In a interview for the Paris Review, when asked about whether he’d read the works of Sigmund Freud, William Faulkner responded, “Everybody talked about Freud when I lived in New Orleans, but I have never read him.
Published inThe Sound and the Fury is often referred to as William Faulkner's first work of genius. It was only his fourth novel, yet it is widely considered to be one of the greatest contributions to American literature and one of.
Bleikasten’s Literary Analysis of Faulkner’s The Sound and the Fury By focusing on the figure of Caddy, Bleikasten’s essay works to understand the ambiguous nature of modern literature, Faulkner’s personal interest in Caddy, and the role she plays as a fictional character in relation to both her fictional brothers and her actual readers.
Jason Compson III - The head of the Compson household until his death from alcoholism in Mr. Compson is the father of Quentin, Caddy, Jason IV, and Benjy, and the husband of Caroline. Read an in-depth analysis of Jason Compson III.
Caroline Compson - The self-pitying and self-absorbed wife of. subsequent to The Sound and The Fury ranked in order upon a shelf while I looked at the titled backs of them with a flagging attention which was almost distaste, and upon which each succeeding title registered less and Caddy climbing the pear tree to look in.Download